Figures: capturing the essence of being human

“Portrait Study 2” // 8.25” x 8.25” // oil on paper

Humans

The human form is complex. There’s beauty in correct proportions, in using value to create volume and shape, and in the variations of color and tone. After all, we’re all human, and when you stop to consider how intricate we are in structure, anatomy, emotion, mind, body, and spirit— it becomes a truly fascinating subject.

I love painting and drawing the human body. It’s one of those activities where hours can pass in the blink of an eye.

Finding stillness through creating

In Big Magic, Elizabeth Gilbert writes about how we are all born to create. That creativity is inherent to the human experience. I couldn’t agree more. I encourage everyone to find a creative outlet. It might be gardening, knitting, baking, writing, dancing, drawing, singing—just about anything, really. And you don’t have to think of yourself as an artist to draw or paint. Grab a sketchbook and doodle. You may be surprised at how good it feels.

I believe it’s important to move energy through our bodies in whatever way feels right. Emotions are, at their core, energy in motion. A dynamic force that needs to move. And don't be afraid to explore the things you thought you couldn’t do. For example, I’m not a great singer—but it still feels amazing to belt out a song now and then!

But I digress. The point is: drawing and painting is where I find stillness—especially when painting the figure. I’m not entirely sure why, but it brings me a deep sense of calm. Mixing paint, adjusting colors, and adding in unexpected twists—all while trying to make a human resemble a human—is incredibly grounding. I’m not going for realism, but much like in my abstract nature paintings, I try to capture an essence.

“Untitled Study 1” // charcoal on paper

Expressing beyond words

It’s fascinating to think about times before language existed. We communicated through facial expressions, gestures, and the ability to read each other’s emotions.

I often think we’d be better off with more quiet in our lives. More space to simply listen. Not just to words, but to what isn’t being said: the look in someone’s eyes, the subtle shift in posture, the energy they carry. When I paint, I try to hold onto a feeling, however fleeting, and let it come through in my work.

“Portrait Study 1” // 8.25” x 8.25” framed // oil on paper

Connection

Seeing ourselves reflected in another is one of the greatest ways to understand ourselves, and to find compassion for others. We are all connected, and I believe art—in all its forms—serves as a bridge between us.

“Nudy Study 4” // 9” x 9” framed // oil on panel

But wait, there’s more (probably)

I haven’t created figurative work in quite some time, but I plan to get back to it very soon. Ideas have been spinning around in my head for over a year now, so we’ll see what happens. Stay tuned!

“Untitled Study 2” // charcoal on paper

You can check out my Figures portfolio. To see available pieces, visit Blue Gallery online or in person in Kansas City, MO.